This post turned out much, much longer than I intended…
Relatively late at night several nights every week, I sit around on the couch or lie in bed with headphones on and listen to music. Last night, as I was sweltering while sitting on the couch, I created the following playlist. I’ve dubbed it my beat the heat playlist. Two criteria were necessary for the songs to make the list: First, the song must sound great with high quality headphones. Second, the song, for one reason or another, must transport me to another place and make me think about something other than the heat.
“Cellphone’s Dead” by Beck
Most of the time, I love my mobile phone. But sometimes I wish it was dead. That sentiment, though, is not really that important to this song. It’s just a good jam. I love the intro. I love the funky bass, propelling Beck’s rap, that kicks in after the intro. I love when, during the chorus, the (I think) child’s voice declares, “One by one I’ll knock you out.”
“City of Night” by Pink Martini
Flamenco guitar, horns, and near perfect, vibrato free singing. Not necessarily the best heat remedy because it makes me want to hop a plane to someplace serving frozen margaritas and teaching tango lessons 24/7, but it does transport me.
“The Dogs of B.A.” by Mirah
There are so many interesting things about Mirah: She was born on a kitchen table in Philadelphia. She started writing songs at a very early age (4). Personally, she made me a fan with her song “Jerusalem” which, in spite of her Jewish heritage, indicts Israel for social injustice. Her message is especially powerful because she steeps it in history and the Jewish religious tradition. I personally think that smart lifts enjoyable music to another level.
Sorry, more background on why I like Mirah than is probably necessary.
Ironically, unlike “Jerusalem”, I like “Dogs” because the music is fun. It’s very beatlesque. The lyrics, not so much fun. But, like “City of Night”, they make me want to hop a plane to Argentina.
“Glory Box” by Portishead
I defy anyone to listen to this song and say that Beth Gibbons is not a masterful singer. I can sit around and chill to any of the songs from Portishead’s debut album, but this is by far my favorite. It is a perfect exercise of self restraint in that it always leaves me wanting more.
“Gone Til November” by Wyclef Jean
Because who wants to work? I’m not gonna, as Wyclef puts it, start, “making runs” anytime soon. But I think each of us can identify with the sentiment, “See, you must understand, I can’t work a 9 to 5. So I’ll be gone til November.”
“Haiti” by The Arcade Fire
I think The Arcade Fire is the current soul of guitar based rock, or pop-rock if you prefer. I especially like this elegy for a broken country. While the mournfulness is apparent, it’s softened, and beautified, because most of the lyrics are in French.
“Human Thing” by The Be Good Tanyas
Some songs just need to be listened to and not discussed. I suppose some people would apply that standard to all songs. Regardless, I think this is one.
“Kooks” by David Bowie
Only Bowie could write a family song about being kooky. He sealed the deal for me when, after explaining to what lengths he has gone to welcome a new family member, he sings, “Cause if you stay with us, you’re gonna be pretty kooky too.” I think it’s an awesome, understated way to say, “No matter what and no matter who, we’ll be here for you.” It makes me smile, and smiling is a great thing.
“Love is a Losing Game” by Amy Winehouse
Crazy Amy is an almost unbelievably gifted singer. I love her retro style, and everything about her retro influenced album. But I think she is especially effective when she is in tortured mode as she is on this song.
“Never Tear Us Apart” by INXS
If I were a musical artist, I would not want anyone to associate my music with a particular video. That is one of the reasons that I have always respected Pearl Jam for not filming videos for such a long time after “Jeremy” won video of the year. Vedder’s stated reason is that he wanted the songs to mean something to each individual who hears them. I freaking love that. Whatever else can be said about him, Eddie definitely makes his own way.
Ironically, in addition to it being a great song, one of the reasons that I love “Never Tear Us Apart” is that, when I hear it, my mind always sees the image of Michael Hutchence walking pensively through the streets of Prague. It immediately transports me back to the time of Friday Night Videos. I’m not saying it was a better time, just another one.
“Ooh Child” by Beth Orton
Beth Orton’s voice has the power to sooth an aching soul. She realizes it’s full potential with this cover.
“Pablo Picasso” by The Modern Lovers
I love the Lovers – not just because of their undisputed influence on punk – but because their songs, unlike many of those of The Velvet Underground, to whom the Lovers supposedly owe a debt of influence, are highly enjoyable. But “Picasso” is my favorite Lovers song. However you may feel about the cult of personality surrounding Picasso and his womanizing ways, it’s easy to identify with the Lovers sentiment that, when Picasso hit on women, he was never called an asshole. Whether it’s true or not is not really important because Picasso, on that level, is the embodiment of the dreams of many awkward, young men.
“Shadows Where the Magic Was” by James Hand
There is no way I could possibly describe James Hand as ably as the front page of his website does. Here is the what the introductory text says about him:
Somewhere in Texas, a haunting voice reverberates off saloon walls, a voice rich with the echos of timeless music. The singer and the songwriter is James Hand and he has quite a story to tell. Listen once, and the truth will set you free.
I wholeheartedly agree. “Shadows” is my favorite James Hand song. Incidentally, here is a link to his website.
“Sloop John B” by The Beach Boys
Only recently, have I discovered Pet Sounds. I’m glad I did. The music, especially the voice harmonization that so irritated me when I was younger, sounds really great with headphones. That seems like a sort of flippant way to describe one of the most influential pop albums ever. But it’s how I feel about it. “Sloop” is great for many reasons but I love it because of the picture Wilson paints with his aching lyrics.
“Trophy” Bat For Lashes
Bat for Lashes is the solo musical project of artist Natasha Khan. I bought her debut album a couple of weeks ago, immediately put it in my car’s CD player, and, except one time to rip the CD into iTunes, haven’t taken it out. It’s bewitching, mystifying, and probably my favorite CD I’ve purchased this year. I cannot describe it except to say Khan’s music is sort of Bjorkesque – which may turn a number of people off – in that it is playful yet serious, but Khan doesn’t “shriek” like Bjork sometimes tends to do. I say shriek in quotes because I’ve heard that complaint about Bjork fairly often, but I disagree with that assessment.
Anyway, “Trophy” is heavy with metaphor. So heavy, in fact, that I think everyone who hears it will probably assign different meanings to the song.