When we arrived at the hotel, the bus driver made an announcement in English that we had arrived. I recognized his statement as my native tongue but couldn’t comprehend him because of his heavy Japanese accent. Luckily, there was a monitor at the front of the bus that scrolled the location of the bus at all times, in both Japanese and English.
We got off the bus and were greeted by a woman wearing a skirt and blouse. She asked if we were checking in. I told her we were and started to pick up our luggage. The driver had already put them on the sidewalk in front of the bus. The woman, whose shirt had “Akasaka Prince” embroidered on the upper left, asked me if I had the claim ticket for our bags. She did it in such a way that I knew I shouldn’t pick my bags up without it, but not in a way that made me feel awkward for having already tried to do so. I reach into my jacket pocket and handed them to her. She, in turn, gave them to the bus driver. He looked at the numbers, compared each of them to the sticker on each bag and, only after being certain they matched, gave the bags to the woman. She loaded them on a rolling cart, pushed it toward the entrance, pointed, and said, “This way please.”
We walked through sliding glass doors into the hotel lobby. I was immediately impressed. The lobby was not ornate by any standards, but was sparkling white marble, stainless steel, and glass, all arranged in clean lines. It felt very open. The woman pointed me toward the reception and said, “I’m sorry. You will have to wait.”
About 30 seconds later, a young man looked up from a computer screen and asked, “May I help you?” “Sure,” I said, “I have reservations for David Lynch.” He asked, “David?” I said, “Yes, David Lynch.” He said, “I’m sorry for you wait. Let me see…Yes, I have Lynch David. King bed, no smoking.” I said, “Right. Do you have a room on the Akasaka side?” (When Mt. Fuji is visible, it can be seen from the Akasaka side of the hotel) He said, “I’m sorry.” I thought we were out of luck but he abruptly turned around and started looking through a wall of cubbyholes, some containing keys, some with notes and some with notes and keys. Each had either a red or green light. He pulled out the key and the note in one cubby, looked at the note, and frowned. He turned to me and said, “I’m sorry.” Then, quickly, he turned and started talking to another man. They spoke rapidly to one another for a couple of minutes. After their conversation, he turned back to me and said, “I’m sorry.” He continued, “Yes, we have a king, non-smoking on Akasaka side.”
He finished our check in and directed us to a bellman who was already walking toward the elevator. We followed him to the elevator and rode to the 34th floor. When the bellman opened the door to our room, he revealed a long hall that led from the door to the room proper. Near the door, there were two buttons – one to push that lit a do not disturb light on the outside of the room and one that lit a please clean the room sign. Also near the door was the main light switch for the whole room – if it was off, none of the other lights would work. I liked it because we could turn on lights to see to walk out and hit the master switch upon leaving to conserve energy. All the light switches were push button and, when off, had a small green light so that they could be easily found.
The furniture in the room, except the couch, was all surfaced with white lacquer. The couch, under huge floor to ceiling windows overlooking the Tokyo skyline and the elusive Mt. Fuji, was brown with dark brown stripes. It was the perfect color to offset the slightly gold tinted shades, made of a silk or silk-like material. The bedspread, covering a down comforter – much to Jennifer’s joy – was a muted purple with brown and gold swirls to match the couch and curtains. The three provided just enough color to break up the white and keep the room from feeling institutional.
The bathroom had a vanity with mirrors on three sides so that you could, when looking in the mirror, easily see any part of your body. There was also a soft stool, on a short pedestal, to sit on while using the mirror. The bath and the toilet were in a separate room that was entered by taking a step up. No door separated the two rooms but it was enough to permit one person to shower – because of the wall with no doorway – while the other used the sink and mirror.
All in all, it was probably my best hotel experience ever. It wasn’t the most luxurious hotel I have ever stayed in. The combination of things, though, was really great – as demonstrated by check in, they bent over backwards to meet your requests. The bed was comfortable, everything was immaculately clean and comfortable, it was spacious, and the view was probably the best of any hotel I’ve stayed in. That’s not even to mention the toilet. It was a high-tech machine. Here is a picture of it:

See the controls on the right hand side, just above the trash can? Here is a close up:

This is a picture of the sign that hung on the wall next to the toilet:

When I read the sign, I was curious what the emergency button on the phone might look like. When I picked it up, I found that the only button on the handset was an orange button. I presume it’s the emergency button but I never pushed it to see what would happen.
A picture out the window of our room (the base of Mt. Fuji is barely visible to the left of the rainbow):

Finally, here is the outside of the Akasaka Prince:
